6/30/11

LEELA MAJUMDER

Born on 26 February 1908, Lila Majumdar grew up in Shillong and Kolkata and went on to do a Master’s in English from Calcutta University. She has won many awards for her works, including the Sangeet Natak Akademi Award in 1963 for a comic musical drama called Bok Badh Pala (Death of the Demon Bok). Her autobiography Aar Kono Khaney (Somewhere Else) won the Rabindra Puroshkar in1968, and Haldey Pakhir Palok (The Yellow Bird) received the Bengal state award for children’s literature in 1960. She celebrated her ninety-ninth birthday in 2007 and died the same year on 5 April.
To know more about her writings click on link:

LEELA MAJUMDER RACHANA SAMAGRA-01

IN THIS BOOK LEELA MAJUMDER WROTE SEVERAL

STORIES THAT INCLUDE:

LAKKHI CHELE IN Page-25, BADDINATHER BARI IN Page-

29, BHOTER CHELE IN Page-32, GHONSAR CHITI IN Page-35

ACHAR IN Page-37, DINE DUPUREY IN Page-40, KABLA

KANTA IN Page-43, APOD IN Page-45, CHOR DHORA IN

Page-49, NOTOBORER KARSAGI IN Page-52, GUPEY IN

Page-55,DINE DUPURN PEY IN Page-59, GHOTON KOTHAI

IN Page-61,SORBONESHE MADULI IN Page-67, TAKA

CHURIR KHELA IN Page-72, HUSHARI IN Page-77

MOHALYAR UPOHAR IN Page-81,PADIPISHIR BARMI BAXO IN Page-85, KHAGAI NAMO

IN Page-117, SEKALE IN Page-121, TIGER IN Page-124, CHOR IN Page-129, LOM HORSHK

IN Page-131, GUPER BAHADURI IN Page-133,PALOHAN IN Page -136, AMADER DESHE

IN Page-139, NOTE MAMA IN Page-141,HARANO GINISH IN Page-145,GUPTA DHON IN

Page-147, DAMUKAKAR BIPATTI IN Page-149,VALOBASHA IN Page-152,PASHER BARI

IN Page-155, BHANUMATIR KHEL IN Page-158,HARI NARAYAN IN Page-161,HALDEY

PAKHIR PALOK IN Page-165,GUPIR GUPTO KHATA IN Page-207,BAGHER CHOK IN Page-

255,PENETI TE IN Page-257,AHIRITOLAR BARI IN Page-261,VHUTUREY GOLPO IN Page-

264,SATTI NOI IN Page-268,BOHURUPI IN Page-271, MEGO MAMAR PRATISODH IN Page-

274, KI BUDHHI IN Page-277, JUGANTOR IN Page-279,PANCH MUKHI SANKH IN Page-282

GUN KORA IN Page-286, DINER SESHEY IN Page-290,BONER DHARE IN Page-294.

BAGER CHOKH IN Page-298,BOKH DHARMIK IN Page-303,SEGO MAMAR CHANDRA

JATRA IN Page-349,PEARA GACHER NICHEY IN Page-356,SEI KHANEY IN Page-358.

AMI IN Page-361, BANDUK O CHORA IN Page-363,TONG-LING IN Page-367,GUNU PANDI

TER GUN PANA IN Page-417,PAKHI IN Page-424,MAJICK IN Page-430,DIAREY IN Page-433

ICHHEY GAI IN Page-436,PORIDER DESHEY IN Page-441,HANA BARI IN Page-444,SAGOR

PAREY-448,BAROLOK HOBAR NIAOM IN Page-451,JADUKAR IN Page-454,ANKO IN Page-

458,NOKOSHI IN Page-464,CHI HUA IN Page-471,ATITHI IN Page-474,NEPOR BOI IN Page-

479,MAKU IN Page-527, BOK BADH PALA IN Page-577, LANKA DAHAN PALA IN Page-599

BALI SUGRIB KATHAN IN Page-623,WAITING ROOM IN Page-635

LEELA MAJUMDER RACHANA SAMAGRA-02

IN THIS SECOND EDITION OF LEELA MAJUMDER

RACHANA SAMAGRA YOU WILL GET:

GUPIR GUPTA KHATA IN Page-9,LANKA DAHAN PALA

IN Page-87, UPENDRAKISHORE IN Page-123, BHOOTER

GOLPO IN Page-187, NANA NIBANDHA IN Page-289

BOK DHARMIK IN Page-365

LEELA MAJUMDER RACHANA SAMAGARA-03

IN THIS BOOK YOU WILL GET TONG LING IN Page-9, SUKUMAR

ROY IN Page-79,NEPOR BOI IN Page-203,SEGO MAMAR

CHANDA JATRA IN Page-279

TAKHURMAYER TIKUJI

TAKUMAR TIKUJI IS A COMPARATIVE STUDY OF LIFE BETWEEN FAMOUS WRITER LEELA MAJUDER AND

HER DIDI SHASURI JOYENTI OR MADDHURIMA OR RIMA BY NAME, WRITER LEELA MAJUDER SUDDENLY

DISCOVER A NOTE BOOK WRITEN BY HER DIDI SHASHURI AND A DIAMOND RING OF HER. THE NOTE

BOOK CONTAIN 365 PAGE OF HER DAYA TO DAY LIFE EXPERIENCE THAT COMPARE WIITH THE WRITER

LEELA MAJUDER OWN LIFE. WRITER ALSO DESCRIBE HER LIFE WHEN SHE WAS IN WOOD STREET

HOUSE.

BATASBARI

GUPIR GUPTA KHATA

RESHALARBABU

LEELA OMIBUS

MOYNA SHALIK

KHEROR KHATA

SUKUMAR

GULLIVER TRAVEL

PODIPISHIR BORMI BAXO

NAKU GAMA

HALDEY PAKHIR PALOK

TOJO

NIRAD C. CHAUDHURI

Nirad C. Chaudhuri or Nirod Chondro Choudhuri was born in (23 November 1897 in Kishoreganj, which today is part of Bangladesh but at that time was part of Bengal, a region of British India. He was educated in Ripon College, Scottish Church College and University of Calcutta. He started his career as a clerk in the Accounting Department of the Indian Army. Bangali Jibane Ramani ,Atmaghati Bangali, Atmaghati Rabindranath are his well known Bangla writing. The Autobiography of an Unknown Indian, A Passage to England , The Continent of Circe, The Intellectual in India,To Live or Not to Live etc are his well known English writing. Nirad C. Chaudhuri was awarded the Sahitya Akademi Award, in 1975 for his biography on Max Müller called Scholar Extraordinary, by the Sahitya Akademi, India’s national academy of letters.[1] In 1992, he was honoured by Queen Elizabeth II of the United Kingdom with the title of Commander of Order of the British Empire (CBE). His 1965 work The Continent of Circe earned him the Duff Cooper Memorial Award, becoming the first and only Indian to be selected for the prize. Nirad C. Chaudhuri died in 1 August 1999 in oxford, England.

Download Bangla Books by Nirad C. Chaudhuri click on link:

ATTOGHATI BANGALI

OR

ATTOGHATI BANGALI

Reviewer: Dr. Radha Nag - - August 19, 2017
Subject: [Reviewed by "The Statesman", a News Daily of Calcutta]

'Radha Nag's recently-published Atmaghati Nirad Chandra is a welcome answer to Nirad C. Chaudhuri's Atmaghati Bangali and two-volume Atmaghati Rabindranath. In more than a decade since the publication of the first volume of this trilogy on the dire self-destruction of the Bengali people and their greatest poet, no Bengali has raised his voice against this charge - perhaps because it was framed by a Bengali who penned them in a respectable university town in England, clad in a Bengali dhoti, sitting on a Bengali mat.
Nag's beautifully-produced 80-page volume bears ample proof of its author's commendable economy of expression. She has used NCC's Bengali works to show that obscenities abound in them. The writer who held an honorary D.Litt. from Oxford, it seems, could not make his points without outraging the proverbial British sense of decency.
Chaudhuri the author, shows Nag, had been so trapped by Chaudhuri the man that he often makes unseemly self-revelations. And it may not be improbable that he was deliberately ribald to cater to popular tastes.
Nag's book is written in a delightfully ironic style and if she's sometimes hard on Chaudhuri, she has been so for the sake of truth.
-The Statesman: Calcutta Note-Book 09.04.2001

BANGALI JIBONE ROMONI

OR

BANGALI JIBONE ROMONI

প্রথমত, বইটার নামকরণে গোলমাল আছে। এই বইটি বঙ্গজীবনে নারীর অবস্থান, ভূমিকা, গুরুত্ব, তার অতীত, পরিবর্তনশীল বর্তমান, অনিশ্চিত ভবিষ্যৎ, এসব নিয়ে আদৌ লেখা নয়। এটি স্বল্পমাত্রায় বাংলা এবং বেশি করে ধ্রুপদী সাহিত্যে নারীর ডেপিকশন বা পোর্ট্রেয়াল নিয়ে লেখা।
দ্বিতীয়ত, ওই বিষয়ে ব্যাপ্তি ও গভীরতায় এমন একটি বই লিখতে যে পাণ্ডিত্য ও নির্মোহ মানসিকতা প্রয়োজন, তা লেখকের ছিল। তাই তাঁর সময়ে দাঁড়িয়েও তিনি এমন একটি লেখা পেশ করেছেন যা এখনও দেদীপ্যমান তথা জ্বলন্ত।
তৃতীয়ত, কোনো প্রাবন্ধিক ও গবেষক স্বাধীনতার পর ভারত, পূর্ব পাকিস্তান, এবং বাংলাদেশের সাহিত্যে ('জীবনে' নয়। সেটা একান্তভাবেই সমাজতাত্ত্বিক, নৃতাত্ত্বিক, এবং নারীবাদীর এক্তিয়ারে চলে যাবে) নারীর বদলাতে থাকা অবস্থা তথা অবস্থান নিয়ে এমন করেই কিছু লিখবেন, সেই আশায় আছি। তবে কাজটা অসম্ভব কঠিন, কারণ আলোচ্য বইয়ের লেখকের মতো পার্সপেক্টিভ ও জ্ঞান অর্জন করা 'মুশকিল হি নহি, নামুমকিন হ্যায়' বলে মনে হয়েছে।
আমি লেখাটা নীরদচন্দ্র চৌধুরী শতবার্ষিকী সংকলন-এর অংশ হিসেবে পড়লাম। আপনারা যদি বইটি আলাদাভাবে পান, তাহলেও অতি অবশ্যই পড়ুন। এই লেভেলের পাণ্ডিত্য আমরা এখন ভাবতেই পারি না!

ATTOGHATI ROBINDRANATH

OR

ATTOGHATI ROBINDRANATH

Radha Nag's recently-published Atmaghati Nirad Chandra is a welcome answer to Nirad C. Chaudhuri's Atmaghati Bangali and two-volume Atmaghati Rabindranath. In more than a decade since the publication of the first volume of this trilogy on the dire self-destruction of the Bengali people and their greatest poet, no Bengali has raised his voice against this charge - perhaps because it was framed by a Bengali who penned them in a respectable university town in England, clad in a Bengali dhoti, sitting on a Bengali mat. Nag's beautifully-produced 80-page volume bears ample proof of its author's commendable economy of expression. She has used NCC's Bengali works to show that obscenities abound in them. The writer who held an honorary D.Litt. from Oxford, it seems, could not make his points without outraging the proverbial British sense of decency. Chaudhuri the author, shows Nag, had been so trapped by Chaudhuri the man that he often makes unseemly self-revelations. And it may not be improbable that he was deliberately ribald to cater to popular tastes. Nag's book is written in a delightfully ironic style and if she's sometimes hard on Chaudhuri, she has been so for the sake of truth.

6/27/11

RABINDRA NATH TAGORE

Rabindranath Tagore (1861-1941) was the youngest son of Debendranath Tagore, a leader of the Brahmo Samaj, which was a new religious sect in nineteenth-century Bengal and which attempted a revival of the ultimate monistic basis of Hinduism as laid down in the Upanishads. He was educated at home; and although at seventeen he was sent to England for formal schooling, he did not finish his studies there. In his mature years, in addition to his many-sided literary activities, he managed the family estates, a project which brought him into close touch with common humanity and increased his interest in social reforms. He also started an experimental school at Shantiniketan where he tried his Upanishadic ideals of education. From time to time he participated in the Indian nationalist movement, though in his own non-sentimental and visionary way; and Gandhi, the political father of modern India, was his devoted friend. Tagore was knighted by the ruling British Government in 1915, but within a few years he resigned the honour as a protest against British policies in India.

Tagore had early success as a writer in his native Bengal. With his translations of some of his poems he became rapidly known in the West. In fact his fame attained a luminous height, taking him across continents on lecture tours and tours of friendship. For the world he became the voice of India's spiritual heritage; and for India, especially for Bengal, he became a great living institution.
Although Tagore wrote successfully in all literary genres, he was first of all a poet. Among his fifty and odd volumes of poetry are Manasi (1890) [The Ideal One], Sonar Tari (1894) [The Golden Boat], Gitanjali (1910) [Song Offerings], Gitimalya (1914) [Wreath of Songs], and Balaka (1916) [The Flight of Cranes]. The English renderings of his poetry, which include The Gardener (1913), Fruit-Gathering (1916), and The Fugitive (1921), do not generally correspond to particular volumes in the original Bengali; and in spite of its title, Gitanjali: Song Offerings (1912), the most acclaimed of them, contains poems from other works besides its namesake. Tagore's major plays are Raja (1910) [The King of the Dark Chamber], Dakghar (1912) [The Post Office], Achalayatan (1912) [The Immovable], Muktadhara (1922) [The Waterfall], and Raktakaravi (1926) [Red Oleanders]. He is the author of several volumes of short stories and a number of novels, among them Gora (1910), Ghare-Baire (1916) [The Home and the World], and Yogayog (1929) [Crosscurrents]. Besides these, he wrote musical dramas, dance dramas, essays of all types, travel diaries, and two autobiographies, one in his middle years and the other shortly before his death in 1941. Tagore also left numerous drawings and paintings, and songs for which he wrote the music himself.

From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969

This autobiography/biography was written at the time of the award and first published in the book series Les Prix Nobel. It was later edited and republished in Nobel Lectures. To cite this document, always state the source as shown above.

Rabindranath Tagore died on August 7, 1941.

To know more about his works click on the link: Here you can get Verses that include:This Evil Day,The Son
of Man,The New Year,Santiniketan Song, Boro-Budur, Raidas(The Sweeper), Krishnakali, Fulfilment, Freedom etc.
Songs Include:Puja,Swadesh, Prem o Prokriti, Puja o Prthona, Vanusinger Podaboli(Songs), Kal Mrigoya(Songs), Prem, Bichitra, Anustanik Songeet, Porishisto-3 o RabiChaya, Chitrangada(Song), Balmiki Prathiva(Song), Prokriti, Anustanik, National Songs, Porisisto 4,Chandalika(song), Mayar Khela(Song) etc.

Novel Include:Gora, Char Odhhay, Nouka Dubi, Malancha, Seseher Kobita, Chokher Bali, Projapoti Nibondho, Goga Gog, Chaturanga, Dui Bon,Bou Takhurani Hat, Rajorshi Etc.

Stories Include: English Stories, Tin Songi, Golpo Guchhow, Lipika, Golpo Sor Etc.

Plays Include :Autumn Festval, Red Oleander, The Gardener, The Water Fall, Chitra, Sacrifice, The King and Queen, Malini, Sanyasi, The Trial, Rin sodh, Kahanini, Gorai Golod, Chro Kumar Shova, Tasher Desh, Nityao Natto Chandalika, Nalini, Poritran, Bango Koutouk, Balmiki Prothiva, Bisorjon, Vagna Hriday, Muktir Upaya, Malini, Rudra Chanda, Shyama, Sarod Utsov, Sodh Bodh, Sundor, Hasso Koutuk, Sesh Borshan, Sesh Rokhha, Shrabon Gatha, Shap Mochon, Raja, Raja o Rani, Goga Gog, Rokto Korobi, Mayar Khela, Malaoncho, Mukut, Mukto Dhara, Bisorjon, Boikunter Kotha, Basori, Biday Ovishap, Bashanta, Balmikir Prothiva, Porisodh, Falguni, Prokitir Protisodh, Pryoschitra, Nitya Natya Chitrangada, Nabin, Nataraj, Natir Puja, Dakh Ghor, Topoti, Chanda Lika, Chintrag Goda, Guru, Griaha Probesh, Kal Mrigaya, Kaler Jatra, Achala Ayaton, Arup Ratan Etc.

AMADER RABI TAKHOOR

In this section you will get (1) Verses (2) Songs (3) Novels (4)Stories(5)Plays (6) Essays and Others
(1) Verses Section: KATHA,KAHINI,KEHEYA,CHITRA,GITALI,NADI,PATRAPUT,PUNOSCHOW,BOLAKA
VANU SINGHER PATRABOLI, GITANJALI,RUPANTOR,MOHUA,AKASH PRODEEP
KHONIKA,GITIMALYA,CHOITALI,SHAMOLI,SEGUTI,MANOSHI,KHAP CHARA,
SONAR TORI ETC.

(2) In Song Section:
PUJA,PREM O PROKRITI,PUJA O PARTHONA,MAYAR KHELA,CHONDALIKA,SHYAMA
KAL MRIGOYA,CHTRANGODA, BALMIKI PROTHIVA ..ETC.

(3) In Novel Section:
GORA,CHAR ODHYA,NOUKA DUBI,MALONCHA,SESHER KOBITA,GHOREY BAIREY,
CHOKER BALI, JOGAJOG,CHOTURANGA,DUI BON,BOU THAKURANIR HAT,RAJHORSHI
...ETC.
(4) In Stories Section:

ENGLISH STORIES, TIN SONGHI, GOLPO GUCHHO,LIPIKA,GOLPO SOLPO...ETC.

(5) In Plays Section:
RIN SODH,KAHINI,GORAI GOLODH,CHIROKUMAR SHOVA,TASHER DESH,NABIN
BIDAY OVISAPH,DAKH GHOR,GURU,NATA RAJ,BISORJON,MUKUT,RAJA,BASHONTO
....ETC
(6) In Essays Section:
CHONDO,PORICHOY,KALANTAR,CHELE BELA,PONCHO VHUT,BIJJAN,RASHIAR CHITI
SHILPO, SANCHOY,SAMAJ,SHIKKHA,SHODESHEY,SAHITYA,SHAITYER PATHAY...ETC

KISHORE GOLPO SOMOGROW

In this book you will get:

(1)POST MASTER IN Page-9 (2) RAM KANAER NIRBUDHITA IN Page-14 (3)KHOKHA BABUR PROTTABORTAN IN Page-19
(4)KABULI OLA IN Page-26 (5) CHUTI IN Page-34 (6) OTITHI
IN Page-40 (7) ICHHA PURAN IN Page-45 (8)BOLAI IN Page 60
(9)SE IN Page-67 (10)GECHOW BABA IN Page-78(11) BIJJANI
IN Page-143 (12)RAJAR BARI IN Page-147 (13)BORO KHABAR
IN Page-150 (14)RAJA RANI IN Page-155 (15)MUNSHI IN Page-159 (16)MAJICIAN IN Page-162 (17)PORI IN Page-165. (18)ARO-SATTYA IN Page-166 (19)MANAGER BABU IN Page-169 (20)BACHOSHPOTI IN Page-172 (21)PANNA LAL IN Page-175 (22)CHONDONI IN Page-177 (23) DHONSHO IN Page-181. (24)VHALO MANUSH IN Page-183 (25)MUKTO KUNTALA IN Page-186 (26)PORIR PORICHAY IN Page-189(27)RAJ PUTTUR IN Page-193 (28)SUO RANIR SADH IN Page-196 (29)KARTAR VHUT IN Page -199 (30)TOTA KAHINI IN Page-202 (31) NATUN PUTUL IN Page-205

Cinema and Entertaintment

This is a cool website for current cinema and songs

IN CINEMA SECTION YOU WILL GET:
CURRENT CINEMA IN HINDI,TAMIL,PUNJABI,MALAYALAM
DIFFERENT TYPE OF TV SHOWS
DIFFERENT TYPE OF MUSIC VIDEO IN HINDI AND PUNJABI
CRICKET HIGHLIGHT
DIFFRENT TYPE OF RADIO PROGRAM

To get website click on the link: CINEMA AND ENTERTAINTMENT